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Accommodating death the ending of hamlet
She frets again about walking in front of the poker players, but Stella accompanies her.
As the nurse speaks to Blanche, her voice echoes eerily. Stanley says the only thing Blanche could have possibly forgotten is her paper lantern, which he tears from the lightbulb and hands to her. The nurse holds Blanche, who struggles in her grasp.
The plays of William Shakespeare were one of the major literary influences on the composers of the Romantic era, from Mendelssohn at its beginning, to Tchaikovsky at its end.
Blanche rushes around him, claiming she has forgotten something.
The weird reflections and shadows reappear on the walls, and the Varsouviana music and jungle cries grow louder. In stage whispers, Stanley advises the doctor to go in, and the doctor tells the nurse to grab Blanche.
Tchaikovsky did not attempt to narrate the story of Hamlet, but rather present atmospheric sketches and the emotional states of the main characters.
There is no back story to the composition of the work as there is for Romeo and Juliet and its various revisions, and Tchaikovsky was not as accommodating as Dvorák, who supplied “cheat sheets” for his tone poems that specified the correspondences between musical themes and narrative elements.
A few weeks later, Stella cries while packing Blanche’s belongings. Stanley and his buddies are playing poker in the kitchen, which the stage directions describe as having the same ghastly atmosphere as on the poker night when Stanley beat Stella. Stanley boasts about his own ability to survive and win out against others thanks to his spectacular confidence, and Mitch stammers incoherently in angry disbelief.
Eunice calls the men callous and goes over to Stella to see how the packing is going.
Tchaikovsky composed Hamlet in the summer of 1888, at the same time as the Fifth Symphony.
He had already composed his two other fantasy overtures over a decade earlier but had been toying with the idea of music to Hamlet during the same period.